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Martial Arts in Cuba

(21 and March 22, 2003).

We are here today trying to "decide" the future of martial arts in Cuba, a great responsibility, a difficult task and we wonder if we are prepared and know the true meaning is hidden in the characters (kanji) from the true Budo and Bujutsu, knowing it fully dominate the Chinese, Japanese, Korean, etc. even and could not understand its true connotation, since it is not a semantic problem that defines it, but something entirely spiritual and not even that, we could reassess spending many years in the practice of a particular martial art, since is not the sweat poured and the time spent and the potential of technical skills and to have attained high rank who attest to the vast knowledge of the true Budo (Bujutsu).

To understand this we need first of something high and pure, it takes courage, not the "courage" that is often misinterpreted by relating to rudeness, bullying, arrogance or just doing a great show of our potential abilities. We talked and we talked about the principle and the concept of "Yuki", the modest and quiet courage, the courage it takes to not give in to the "social pressures", such as, for example, bad attitudes of the spirit, the monetary gains , profit, vices, practice witchcraft, etc.., fume these negative and very common these days, closely related to what calling or called unfairly, some, "martial arts" or "combat sports." "It is worth adding that the parallel drawn between the weakness of spirit that promotes a tendency to drunkenness and the use of sorcery or divination to try to see or influence the future, based on which, according to the old codes of Bujutsu (Budo) nor the courage, or loyalty, ethics and integrity an individual who allows these weaknesses are worthy of trust. " As has often taught us: to be Budoka is needed to stop doing foolish things. Thus today we call a deep conscious reflection, all teachers and students who pass through the arduous and profound journey of martial arts, practicing them as it truly is a privilege, which also requires character and relentless dedication, which should not become mere purpose of learning a number of techniques and achieve high levels of strength and physical prowess as many believe, but through them pursued receive and achieve the wise and ancient teachings of true Budo and this does not deserve to be taught to anyone without an iron test that shows loyalty and purity of heart.

The true meaning of martial arts practice inspires humility and compassion as cornerstones wing leading to humans that represent them, to fill your mind with good and great virtues, which are reflected in the transition from trails conducted their lives difficult, but truly worthy from the first time they take a firm decision to acquire in order to transmit love and peace for all the humanity, reason enough to consider who budoka, perfume-flavored spirit immaculate in every action and express the pure feelings drive him to study a martial art, this forged a brilliant and unwavering discipline for fellow citizens, just so he or she will fan the fire of love of justice, honor and kindness, these seeds without which neither students nor Martial arts masters ever consolidated the true and noble purpose of Budo.

instruction martial arts (Budo or Bujutsu) are based on giri (duty of every budoka to his style) and ON (debt of gratitude he feels toward his teacher) without these obligations of honor, without this spirit of gratitude can not and could call Budokas, or express a word connected with the martial arts.

The ancient codes of ethics and conduct written to educate and train the conscience of ancient warriors or martial artists, have not lapsed, on the contrary, in today's world becomes much more valuable, because humanity needs return such as honesty, kindness, loyalty, courtesy, loyalty, honor and courage as new trends, twisting and prevailing painfully cynicism, sarcasm, something as unworthy and obscure to the human spirit to expand beyond the walls of the Dojo poisons society and undermines the contemporary world. Martial arts should and can help save these noble values, because the spirit of Budo is to consider training as something that is offered, not as something that is received, and accepts no dichotomy in the heart of true budoka. It is or is not a true budoka, we can not be men at times and not others. The strength of character required to practice martial arts is like an elixir for the spirit, not as a consuming fire which then gradually turns off. Onishi

Akisaguro Sensei gave us a lesson that we believe is important to mention for those who teach martial arts, he wrote:

"There is merit in teaching techniques only, anyone can give lessons on how to kill. Everything you need for that is latent fear. The hardest thing to teach is how to live. Budo is life and a true master of Budo is one that educates by example and this requires courage and wisdom. Unless we understand these things can not in itself considered a master. "

In the real martial arts, there are no champions or medals or trophies are awarded. There is no other reward than the daily effort in practice style and techniques of cultivation of the spirit, there are no advertisements in terms of exalted rank or personality, but each budoka becomes a representative of his style (Ryu) in the eyes of other unannounced and takes place in the relative anonymity of a real life budoka, there is an incentive that someday he can pass it without changing to other generations.

Belonging to a style is only a privilege, not a right that is achieved by paying a monthly fee, this is something you should never lose sight of (budoka, either student or teacher) should make respectively the right day to be trained or instructed others. This is the difference between the true teachings of Budo and "modern versions of the same" as diluted and ignore the ethical and moral precepts, discipline in which essentially are based martial arts.

budokas The new generation, like generations before, should pursue their art with the same devotion with a concert dedicated to his music or an apostle of their faith. It's more just the offer entirely to the art we learn and transmit, to demand "their benefits."

We have seen with regret and displeasure to individuals who call themselves carrying budokas immodestly on his uniform the family crest (Mon) of its kind, representing a martial art, just above the left side of his chest, which, like all traditional martial art was founded by an honorable teacher and in many cases this was a fitting emblem own standard of a family or clan raised on the battlefield, which we feel is demeaning, seeing manifest incorrectly to these individuals, which often, shamefully, know the origin and philosophy it represents, this is an indelible stain for any Ryu and founding teachers. This can not be defined as Budo, this is cynical. What will we do to solve such shameful acts? What our response to such degrading acts? Even with severe pain might not know, for these reasons we call today to all Cubans budokas not permit or allow others to tarnish the true image of Budo (Bujutsu). The arts we learn and we transmit are not our own, are not sources to augment a monetary treasure, not a commodity to sell, were not created for profit and emerged as a means of exalting our own ego, is a road, a road and a purified path that leads us to forge our identity every day are in our view the most dignified way we can return to our home and found ourselves, are invaluable sources purify philosophical and elevate our lifestyles and living, are the necessary food we consume and serve future generations to never cease to exist and to instruct the most worthy human virtues. This is the true path of a true warrior and a sincere martial artist. The same path represented by the suffix "C" to which teachers referred many times as Morihei Ueshiba O Sensei, Kano Jigoro Sensei, Funakoshi Sensei and former teachers Gishin these as Tanomo Saigo Sensei, Takeda Sensei Sokaku, among many others.

now understand the wisdom teachings of Hanmura Iezuke, who said:

"No instructed in the art of the sword any man who takes delight in war, do not trust who calls himself a "warrior" and is proud of his own skill. A man of true strength and virtue delights in peace and quietly cultivated their spirit, their martial skills are for him a matter of duty, not vanity. "

This is a great truth to remember and turn as something vital in our hearts as we pretend to be martial artists.

question arises again: Is that so much wisdom, so much effort and much love is lost? Is the selfishness, ambition, money, ignorance will have much more courage in our hearts that honor, respect, dignity, decency and spiritual purification of the lives of many men? If the answer is no, we hope to continue calling budokas without shame and get our faces in the eyes of the teachers who came before us, whose images are present in our dojo and out of them or maybe to the people watching worthy. If the answer is yes, then no grounds whatsoever to tread the path of true Budo, the better away forever and let others continue the good causes, "it is better, as expressed Ichikawa Sensei-made diamond pieces a tile intact. " We still have a choice: Create a generation of men unsure of themselves, disloyal, incompetent, lazy and ignorant, are these our future students?

We may be classified as persons lunatic, chauvinistic, dogmatic or obsolete, but we want to see are virtues that should not be forgotten. This was what we were taught and this is what we consider fair for teaching: "True Budo is not a sport, a discipline of body and spirit that requires an absolute commitment, an absolute fidelity and absolute honesty . True Budo is totally incompatible with the arrogance, rudeness, lewdness and selfishness. Technical skill means nothing if you lack the dedication, humility and the right spirit. The student unable to follow these precepts is a hypocrite in art worthy to be taught. "

We caution those who are related to the practice and martial arts instruction. "The virtues of true budoka are tested in everyday life and are not decided in an instant by a referee's flag. The right way, of course, is the most difficult. Betray the weak, the ignorant and stupid reject the insult " as we pointed out the St. Ayako Yamamoto Sensei.

We encourage this vital discussion that we have been taught, for the sake and future of Cuban Budo.

gosai Mashita Domo Arigato! Samadeshitá Gokuro! Maximum

Roy Fernández Rodríguez.

President of the Cuban Association of Daito Ryu Aiki Bujutsu

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"True Budo is not a sport, a discipline of body and spirit requires an absolute commitment, an absolute fidelity and absolute honesty. True Budo is totally incompatible with the arrogance, rudeness, lewdness and egotism. Technical skill means nothing if you lack the dedication, humility and the right spirit. The student unable to follow these precepts is a hypocrite in art worthy to be instructed. "

; Hideo Hanmura -Soke.

Dai Nippon Daito Ryu Aiki Bujutsu Rengokai.

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"KADO" or "IKEBANA"

"KADO" or "IKEBANA"

("The path or route of appreciate the flowers ")

By Max Roy Fernández Rodríguez

This means the Japanese art of appreciating flowers, emerges as an offering of divine offerings offered by Buddhist monks in ancient times and developed into an independent art form from the fifteenth century with many styles and schools.

This art is a way of showing gratitude to nature and his vision led the human spirit to a level of unselfishness where simplicity and humility are necessary to find true harmony.

you remember more than 3000 schools of KADO. This art was also known by the name of TATEBANA. (RIKK).

Some warriors in awards to the brevity of their lives were inclined to look more intense natural beauty and feel the pleasure in seeing things that others took as a reward: YUMI-MI (Appreciate the Snow), Tsuki-MI (Appreciate the Moon ) HANA-NI (Appreciate the flowers). In fact these forms of assessment were activities of a deeper meaning contemplation as the Shogun Yoshimasa Ryoami wrote: "In reverence and appreciation." Also, Dadoji Yusan wrote: "A man incapable of appreciating the beauty of flowers, should not be trusted to defend the interests of his master, should not be believed his loyalty. "

KADO Many styles were developed according to specific methods and characters: "SHI" Formal, "SO" Informal, "GYO": The interval between the two. Also on the season (station) had and still has great importance in KADO for arrangements, suggesting: Las Camelias (In winter and spring), daffodils (in winter), The Chrysanthemum (Autumn), etc.

The art of flower arrangement began to reach its full flourish in the Muromachi period. Prior to this there was a tradition of arranging flowers in vases, but at this moment in history began to be arranged flowers to enhance the value of the vase. Was Senkei Ikenobo who introduced the flower arrangement in the tea room. Ikenobo School won the full support of the masses and became the representative of this art school. As expected, the floral decoration of the tea room should not aim to produce an effect of elegant beauty, but should express purity and simplicity in their efforts to penetrate the depths of nature.

The Natural World of Japan, has always provided beautiful flowers in all seasons and has decorated the simple beauty of everyday life of Japanese people, this beauty came to have their spiritual significance. At the beginning of period EDO Ikebana (KADO) earned the last qualifying "KADO" (Way of the flowers) with its connotation of spiritual discipline.

Since then, this art has survived. Like the "tea ceremony (cha no yu), the flower arrangement was one of the cultural requirements necessary for the ladies in the Edo period. The tea ceremony and flower arranging are two reflections of Japanese culture. ICHIKAWA

YASUHIRO (Expert Samurai) referred to Kado, poetry, music wing, writing and painting as "the other side of the sword." Belonging to the spirit side. Also others like him inspired by the great beauty, and the subtle, romantic and mysterious of flowers made their case for them as Takahara KYOSHI when he wrote:

"A outside my window is a

Camelia So I do not feel lonely. "

OTHER PERSPECTIVES ON THE "KADO"

The Kado pays great attention to the plants and containers as well as the space around them, distinguishing the simple art of decorative use of flowers.

The style known as the Rikk or TATEBANA ("Agreement upright") is one of the oldest styles of flower arrangement. Prefers arrangements sophisticated attempt to capture the majesty of nature. As speculation is believed to be a way of offering to the deities, the complex symbolism of the Buddhist cosmology, connected to each of the seven branches.

late sixteenth century there was a new form of flower arrangement for tea ceremony, called nageire ("Down or dropped") subsequently culminated in the seventeenth century, we see the emergence of the style or SEIKA Shoko ( "Cut flowers) which mainly consists of three branches composing an asymmetrical triangle. The Shoko was ideal style to convey the essence of plants and their natural line of growth.

In the twilight of the nineteenth century is a resurgence of ikebana, when O HARA Unshine moribana introduced his style ("Flowers piled up") that emphasizes color and natural growth of flowers, flat compositions using almost touch the sides shallow containers.

In the postwar avant-garde IKEBANA a revolutionized the materials considered acceptable. Not only for cut flowers and herbs were used, but also plastic, gypsum and iron were considered suitable to express concepts in surrealist and abstract arrangements. Today there are approximately 3000 schools of Ikebana in Japan. Styles most popular are Ikenobo, O HARA and Sogetsu.

MAIN STYLES AS THE VASE USED

moribana Style, "Flores stacked": Used in shallow vases (Suib) used the Kenzo (Base metal nails). There two forms or styles moribana method: The vertical style and the style inclined. In shallow bowl pour water half way and three main stems are selected for initial flower arrangement. These stems are

SHIN is 11 / 2 look longer than the diameter of the container used, plus the height of it, Shin is the main stem and placed in the vase to 45 ° the left.

SOE: It usually 3 / 4 the length of the Shin. Placed in the vase at 15 degrees to the left.

Hika : The smaller stems (with flowers if possible). Has a length of ¾ length (or half the length) of stem of SOE. Should be placed to the right of the vase.

After selecting these three initial and main stems, branches and complementary flowers should be placed at 65 º.

An important point is that : While performing the arrangement of flowers should be cut under water (in a container extra). This will allow a longer duration of them.

nageire Style ("Down or dropped.") It is done in deep vases without the use of Kenzo. In place of them using "auxiliary branches," which cut through its center (the stem) an inch or two, depending on the length of the three main stems (Shin, Soe and Hika) which are similar to those of moribana style and introducing to see in these branches, intertwined, with the same proportions relative to the vase. There

the same styles and others, highlighting the Suishin (hanging style) where the main branch "SHIN" is below the mouth of the vase. It also highlights in this way the volume spacious.

; My IKEBANA studies. November 2000.

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Article by Carmen Herrera Abel Zilka

This letter, addressed to William Murphy Del Cueto Sensei, was written by Carmen Zilka, Cuban living abroad. Buddhist Meditation Practitioner "Vypassna." Represented by, SN Goenka, who visited the "Bushin Dojo" in Cuba in 2008.


Dear G. Murphy,
My name is Carmen and email address I was given by Max Roy.
visit Cuba in recent days and although on previous visits, my friend Maya, had insisted that visit Bushin Dojo, just this last time it was possible.
I was born and raised in San Francisco De Paula, Roy's name was unknown to me, rather I remembered from when I studied in high school, I never exchanged a word and I have a vague memory of his image as a youngster.
What was my surprise when I visit "Bushin Dojo" and I found that Master full of gray hair and respected by all. There
arrive without the slightest idea what was going to find, even with the certainty that let us pass, only with referral from my friend, who had practiced Tai Chi with Roy and how beneficial it had been for her.
Upon arrival, the master Roy was at the door and after a brief introduction that Maya gave us kindly invited us to go. My first impression of the place was a crash, "a Japanese garden in San Francisco De Paula, who is" in the middle of no where. "
Japanese gardens and Japanese design in general, from architecture to arrange floral more to like, I love. From where the attraction, I do not know, just know it's visceral. The hobby of my husband and mine is to visit gardens. In Japanese style, something like that I feel at home, not that, certainly not that of San Francisco.
Well my first view of the garden of Bushin Dojo was a critical eye more than the pond there in front of Maya and I sat down to enjoy the atmosphere and talk of what surrounded us. I have some bonsai, I am not even a newbie, only part of my fascination with the perfection of their style, so I really enjoyed those in the garden.
At some point in our conversation, Roy joined us, I imagine that as part of the tradition to meet a visitor. My dear friend Maya is characterized by idealizing the people and she sees a great Master Roy of recognized nobility of character and spirit. For me, at that time Roy was nothing more than the "gang" who practiced karate which had a vague memory of high school times, now dressed in a suit of Samurai.
My first instinct when someone presents me Maya, I think she has idealized, is to submit to more rigorous and scrupulous testing. So also did my Master of Yoga, Eduardo Pimentel, when she introduced us and which I consider not only her student for life, if not his sister.
For just started to look not only to teachers but to all who were there and the conversation went inside and my doubts were running out. All of a sudden, someone comes to us with tea, and I know of needs that I was touched that they wanted to share a few things, but that was our tradition as Cubans caught my eye ... he who brought us tea, not served until the Master did not invite him, which I interpreted as a sign of respect, maybe it was that there was not much more, but I preferred to stay with the former.
By the time I felt more at ease, we were invited to go inside the Dojo, where students were practicing. All so cute in their uniforms of tradition, the instructor gave us a majestic greeting students nor immutable, they everywhere.
Before entering the practice room, leave their shoes by the door, I realized that all the shoes were lined up and paired, easily could have made ordered mine too, but chose not to, leaving them as you want. As if to say, well I'm hearing, I apologize for letting them watered but do not consider it my discipline.
Then, from inside, I saw the Master putting my shoes and I was embarrassed not only by deliberate action, but I found this gesture, which may go unnoticed for many, acceptance, discipline and humility. Inside
teach and explain to us as we wanted to see and ask. Of course, concerns and curiosity of the recently discovered the warm water. From the wood floor all done by hand, but curiously made, to fix Tokonoma show how much dedication to work there everyone, from receiving, which I imagine it all, even those who teach. I know I was given more information than I could capture and movement of students was not told anything to my blind eyes to this art.
Once outside again, take a new look to the garden and this time I discovered something different, even with much food for so little space, I found much love and many desire to do and to show that there is a different way of being. One way aligned with nature and tradition.
I've told all this, because to say he was impressed with the respect and expertise of the place does not say much, it's just a phrase. I just saying the same thing as a story, it got more.
From there I went as Pilar Martí's poetry "Pink Shoes" and also wanted to leave my blanket and my ring. In fact I left my Sukiya Living magazine, which while not as valuable to others, it is for me, of course not without devoting a part of my meditation to achieve something hardly de-addiction.
Roy told me you was his first teacher and I live requested to write to him telling him about my impression on Bushin Dojo, and I know how much I love and respect is a Master, telling has been a pleasure. Please excuse me for having spread, it is just not how to express in two words what it is fascinated with that oasis of spirituality and good manners, and also because people do not know about recently.
My respectful greetings to you,

Carmen.

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Saigo Tanomo Legend, Faith, and perseverance, "Interview with teacher


Saigo Tanomo
Legend, Faith, and perseverance. "

By: Max Roy Fernández Rodríguez.









This excellent teacher of the sixth generation descendant of Emperor Seiwa (Seiwa Tenno). He was also known as: Chikanori Genzo (Hoshina Genshi) who was a leading strategist, advisor and grand master of martial arts in the Aizu Clan (in Aizu Wakamatsu, Fukushima Prefecture) was born in the family Kikuchi 1829, in Kyushu and died in 1905.
studied the secret art of "In Yo Ho" (method of "Yin Yang," associated with the strategies of Aiki, a unified system of vital energies through breathing control to counteract any opponent attacks leveraging the strength and aggression of the latter), his teacher Soemon Takeda (1758 - 1853).

was also a connoisseur of swordsmanship known as Misoguchi Koshu Ryu and Ryu, among other styles of martial arts related to the vast array studying this so-called samurai clan. Saigo

Tanomo, made an arduous and meritorious work to write new scripts, named "Makimono," after reviewing the older ones, which gave copies to the families of the main "Hatamoto" (Samurai high rank and importance) of Aizu Han

The life of this cult and important teacher of Art Oshiki Uchi, is colored by events of great historical and legendary episodes, but to see, marked by painful aspects, such as misunderstanding that had of his great vision, when he advised Lord Matsudaira of the imminent destruction of the Aizu clan and the possible strategy to avoid massive bloodshed, if valued not confront the imperial forces and allied clans are numbered. Otherwise, as eventually happened, he tried to see that this would bring the opposition to the changes proposed by the Emperor during the "Meiji Restoration" and would lead to genocide, for families of the clan and thus the loss of their genealogy. Unfortunately his wise advice went unheeded, and he was unfairly branded a traitor and almost sent to Hokkaido to meet a given mission.

What happened next was something "heroic," but at the same time terribly unnecessary. Finally, "The Aizu Clan" fell under the military potential of the firearms used by the imperial government, after a bloody battle, due to its high resistance.

Tanomo Saigo's family, believing that this was dead and likewise uphold the principles and ideals of its traditional codes, which in his view would be abolished and sullied by the new changes that are predicted by the nascent government, committed ritual suicide (SEPUKU) by a method known as "Harakiri." Among them were his mother, his wife, five daughters and fourteen other members family.

On his return from his mission, Saigo Tanomo is between chaos and loneliness, but with a selfless spirit, stands to this painful event and becomes a Shinto priest, changing its name to Genshin Hoshina. He then begins to reside in the temple of "Tsutsukuwake," in Fukushima. It is here that he perseveres and is dedicated to collect all the documents the legacy of the Clan, including a large number Uchi Oshiki of techniques, very well organized, (similar to those that were taught, much later by Takeda Sokaku. From which attest to the manuscripts belonging to Haginojo Akihiro Shiota, grandfather of Saigo Tanomo) It is in these times he child decides to adopt as Shida Shiro (1863 - 1922), later known as Shiro Saigo, to teach the art of Oshiki Uchi and preserve the tradition of it. Unfortunately

Shiro, leaves this purpose for some time, and joins the emerging "Kodokan Judo," which was already developing the master Jigoro Kano, the founder. Saigo Shiro reputation gives the Kodokan Judo, beating at all clashes with other schools of Jujutsu, their opponents with great skill, in which he used variations of techniques, Saigo Tanomo his father had taught him, for example, the famous "Yama Arashi (Storm on the mountain). This was reflected in the novel "Judo Saga" which perpetuates the life of Shiro, who is known as Sanshiro Sugata. "

Establishing an explanatory parenthesis, it is very important to explain that Tanomo Saigo taught prior to these events , many people, descendants of the families of the clan, and personal friends of him than unjust accusations, were expelled before the fall Aizu domain, and these were kept in complete privacy with new identities, teaching the martial traditions of Oshiki Ushi, only his closest relatives, after settling in other areas of Japan, as in the case of Yasuhiro Ichikawa, Hanmura Iezuke , Hanmura Morimasa, Taro Shima, among other personalities who led and gave rise to what is now a private organization called "Daito Ryu Aiki Bujutsu Ryu Saigo has Rengokai Ko" and others that ultimately did not join, or are currently related to this. This is recorded in the collected letters of these families, but not in the public domain. In these letters also speak of the intimate relations of friendship and Saigo Tanomo and considerable technical knowledge and impeccable Saigo had on Oshiki Uchi). Again

mission Tanomo teacher seemed diluted, but in 1876, he met Takeda Sokaku in the temple Tsutsukowake. The young and impetuous Sokaku, was grandson who was his teacher (Soemon Takeda) and the same, for a time after the primary encounter, became one of his main students and "Chuko not So" or the restorer and main bridge between the two periods, the ancient and modern, which allowed the ancient legacy of the Aizu Clan persists. Saigo

Tanomo, recommended Sokaku Takeda, teaching public art, even to non-descendants of the Aizu clan, therefore, is Saigo Tanomo deserves full recognition for the effort and the transcendent success in the dissemination and preservation of art Oshiki Uchi, now well known as Daito Ryu Aiki Jujutsu .

is worth noting the interesting and beautiful legacy ethical and philosophical Tanomo Saigo left for subsequent generations of teachers and students of the noble art of Daito Ryu. His high spirit of perseverance, discipline, compassion and love of peace, and kept alive in contemporary organizations are imparting wisdom teachings. He never failed to establish as a main rule for their students, maintaining a strict parallelism between "education and knowledge of rules of conduct and etiquette and appearance Oshiki combative Uchi (Daito Ryu).

He is attributed phrases such as:

"Knowledge creates humility is part of wisdom. Modestly maintained skills are part of Honor. Knowledge and skills that promote arrogance are part of stupidity. "
" If a man admits that harmony and peace are your goals, believe in your wisdom. If the disdain, believed only in his fear. "
" When searching for a man to teach him the art of war, choose the one who most loves peace. "

is enough, here is summed up his whole personality. He Tanomo Saigo, was and still is a paradigm to follow for any generation of people traveling, correctly, the "Way of the Martial Arts," and more, for those who still have not found it, for he is a immaculate example, noble warrior, a man sensitive, intellectual and very wise teacher, characteristics such that in the days that pass, are emerging eminently necessary for each individual, much more, when the treachery, disloyalty, cynicism, the social envy and hatred, prey of the soul of men and sets out excessively, manifesting in the most mundane daily abuses against human integrity, reflected in the wars and socio-political conflicts.

For this reason, too many explanations. It requires a call to reflection for the study of life, conduct and work of men like him.
We for our part we say in honor to his memory: Master Saigo Tanomo-soke, your name will not be forgotten or stained as long as love and compassion in us, you understand. Alive in the memory of the new generation of Budokas who faithfully follow the legacy of the Aizu Han, for despite the turbulent and difficult times through which passes the Bujutsu and Budo, to remain in effect the message knew you wisely left to the future of Daito Ryu: "When you hit the current of a river flowing there is no trace of water."


NOTE: This paper belongs to the Cuban Association of Daito Ryu Aiki Bujutsu Ryu Ko-Saigo has to study and dissemination of this martial art traditions.