Tuesday, December 21, 2010

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PUBLIC TEST # 4: 2010-2011 touch Kamila


spot by Damian Brito

LASA-art laboratory St. Augustine makes its PUBLIC TEST # 4: touch that, contrary to past actions, are permanent. consist ambitious interventions on the texture of the urban structure agustinense san to last several years. Stops billboards, street markers, benches, trash cans were held with architects, students, designers, artists, Cuba, El Salvador, Germany, UK, Austrian and French throughout 2010 and 2011.

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Friday, October 22, 2010

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Richter Michael Bielicky and transform skin


Invited by LASA, both Czech and German artists Michael Bielicky and Kamila Richter presented a video in St. Augustine. This work is inspired by Falling Times, "a permanent machine translation, increased real-time accounting news constantly appearing and disappearing information about our times, and at the same time, the decline of our decadent Western civilization "(source and more information: http://www.fallingtimes.info/ )

artists choose a building at the site where guests and a parallel search wireless Internet connection . Based on various keywords related to various themes present in sources of information on the Web, the program becomes graphic interpretations. That projection is the real-time graphical translation of the content of information in cyberspace.


Pictograms they simulate a waterfall, giving a print to drop all these symbols of Western society flooding almost every space available, both private and public. Each graph is encouraged in addition to its default motion down. The profusion of symbols and animations create a hyper stimulation eye, creating a confusion, amplified by an opposite feeling of relaxation and mesmerizing causing this downward movement. In the midst of disorder of perception, the public is interpreting each symbol and have the opportunity to shoot with the mouse on the pictures for eliminate or multiply, depending on the course of the Stock Exchange.

In St. Augustine, curator of the project LASA, Aurélie Sampeur invited the two artists to present their work on a building was built for physicians. After serving a mission for several years in countries cooperating with Cuba, these medical professionals have the right, in an apartment for his family. These buildings were first built in 2000 after 20 years without changing the distribution planning. Are then symbol of contemporaneity and the development of the country as well as social success of a part of the population through their work outside the country. Doctors bring the world news and experiences that are not always known in Cuba. embody a kind of globalization of services through the controlled export of their brains in the country.

The building chosen for the projection of the work of Michael Bielicky and Kamila Richter is located in a cross Street principal cast, allowing a wide and diverse audience of passersby on foot and motorized as well as passenger bus passing by this place by chance they saw the work. As the wireless Internet connection in Cuba is almost nonexistent, the speed and density information are much slower and lower in the Island than in most other countries, artists adapted "Falling Times" . This time, instead of having a graphic translation of the information circulating on the Internet in real time, chose to advance the main themes that are present in cyberspace and graphic interpretations appeared randomly on the facade of the building. They also included some elements Cubans, such as geographical locations and political persons in the country.

After Sao Paulo, Berlin, New York and other cosmopolitan places, centers of geopolitics, partner of Czech-German artists had the opportunity to confront his job a kind of public context and, presumably, other codes, since information flows with different pace on the island but apparently had no bystanders no problem recognizing the major themes of our planet not identify with them, proof that we live in a world where global information is present in every corner of our lives without physical and political boundaries.

Wednesday, October 20, 2010

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San Augustine Street Arts - conference at the Alliance Française de La Habana

Saturday, June 26, 2010

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LASA receives national award in curating




















On Wednesday June 30, 2010, the National Council Arts awarded the National Prize for guardianship to the project-work-LASA san agustin artistic laboratory. Created by artist, Candelario and developed with curator Aurélie Sampeur , LASA proposes a new approach art in Cuban contemporary art scene, joining a dynamic exploration of public space, not only from social point of view but also economic, urban, architectural and ecological . Since 2008, St. Augustine is investigated through a series of art actions context - the public trial - having as first references the senses: taste in 2008, hearing and vision within the framework of the Tenth Biennial of Havana in 2009, the self-perception in 2010 and touch to make in the years 2010 and 2011. Artists, architects, musicians, actors and international Cubans are invited to reside in the territory to explore and intervene on a permanent or ephemeral.

Thursday, April 29, 2010

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Club Royal Kuba - Who is it? Wer ist da? WHITE NIGHT

Club Real in Cuba as part of "Ensayos Publicos # 5-la propria percepción"
Under the motto "mythical self-perception" we accept ensayos publicos # 5 - la propria percepción, organized by arte contextual - in part centrum LASA in Havana / San Agustin .
The people of San Agustin, a suburb of Havana set up by micro Brigadas are invited to participate in the project. We call on people to think of himself as the mythical dimensions. What a hero, what would be a mythological figure, if I would be? What would that be a story which is then told about me?
When the participants have found their mythical search achieved, we will work with you to a place in San Agustin on which the visions of the participant in a scenario or a live image. In order to realize
the mythical dimension of self-perception in the everyday environment of the participants, we use the technique of visualization of fiction into everyday spaces is inserted drawings.
The results will be 14.05. LASA at Centro in San Agustin and to our workshop show at 48h Neukölln in the BARN against Kirchgasse10 in Berlin-Neukölln 26 June from 11:00 to 24:00 and from 11:00 June 27 - presented 17:00.

San Agustin - La Lisa
Centro LASA: 254 y 35, San Agustin - La Lisa
Havana, Cuba Konzept und Realisierung

: Real Club
Georg Reinhardt und mit Marianne Sonneck

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POSTPONEMENT TO MAY 1, 8:30 pm to 6:00 am



spot by Damian Brito

Monday, April 26, 2010

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Mediation

Since its inception LASA working with "young" to organize their actions. They are essential tools for running LASA. The "young" LASA are people with little experience in the domain of contextual art in public spaces , but with a curiosity, availability and energy for creative experimentation. Thus students of architecture, design, sociology, art instructors, along with mechanical and retired sailors, masons, carpenters, historians, amateur photography and video equipment involved and enrich the LASA and content of the project itself same. All characterized by their subjects sense of experimentation, but also aware of its evolutionary process necessary.



For example, from April 30 to May 15, 5 students and a professor at Pontificia Universidad Javeriana and five other students Univalle accompanied by their teacher (both institutions Cali - Colombia) reside in LASA. The visit of this group continues the work done Adonys Moreno Milan, Aurélie Sampeur and Candelario with these institutions in August and September 2009.

Work and develop the integrated mediation efforts came after a study of the various tools that have LASA:

  • contextual art : LASA offers a unique framework for experimentation in public space in Cuba.
  • communication: a laboratory challenge of sharing, disseminating and promoting each of their events in the outside thanks an important and successful work with national and international media.
  • mediation, but is an area little explored by LASA, basically developed by the Laboratory mediation is supported and nurtured by the very actions of the artists in the creation process. During the Biennale, meetings with neighbors and public screenings revealed a massive public demand mediation san agustinense most pronounced on the approach and role of LASA.

Taking this into account is proposed that a cycle artistic explorations and cultural mediation assimilate the focus integrated, production and artistic achievement as own, so that the mediation does not overlap the work, but their actions are designed as artwork independent and interrelation to the project which is mediation.

These mediations would aim to bring the focus mutant LASA active and the people of San Agustin to develop awareness of their environment and their capabilities in relation to this proposal. also aims to highlight the existence and variety of artistic practices in the public space . This topic is investigated through:

  • audio-visual creations of This documentary, fiction, video clip and / or graphical advertisements and the posters, postcards, stamps, billboards. Be exploited specialties such as visual design and to explore the identity of St. Augustine and its perception by the population.
  • cultural activities in relation to a work or art project as the realization of street furniture in San Agustín in the context of published trials # 4: touch. We plan, for example, a competition for creating bookmarks Street (no longer exist in San Agustín), also working on ways to make visible in the public space above actions LASA.

As contextual art works made in the context of previous published trials, the mediation efforts would be integrated as a possible support: buildings, garages made from recycled scrap metal, markets, schools, kiosks , walls, street vendors, etc.

course, also explore the Internet through . The Cubans, in general, do not have easy access to this technology, although many can navigate from your workplace. LASA Internet poses to critical window on the activities taking place in San Augustine. Many san agustinenses reside outside the country and want to maintain contact with their neighborhood and its people. Therefore, we create a new blog www.lasa-internacional.blogspot.com would work for mediation projects whose focus is the relationship between St. Augustine and abroad. The current blog would be devoted to activities in Cuba LASA ( www.lasa-cuba.blogspot.com ).

The fact that many foreign people residing in LASA have unlimited access to the Internet outside Cuba and many residents of San Augustine to benefit from e-mail service, together with the Centre LASA Internet has opened a gap the implementation of projects on-line ", a potentially very directrición attractive to connect the experience of LASA former neighborhood residents who live abroad. Similarly, the media and / or tool provides the possibility to extend your residence virtually LASA. It also facilitates the universities and people in general have a direct view of the work of the artists during their stay in LASA.

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The concept of mediation develops integrated LASA from Stefan Shankland concept for the project which TRANS305 to participate Aurélie Sampeur.

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LASA integrated by students Univalle FIESTA (Cali-Colombia)

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MASAPIEL students from Universidad Javeriana (Cali-Colombia)



Selecting Audit Sample

Derailed - P5 (continued)



First part of the P5 during the Tenth Havana Biennial


P5 is name of the bus that connects to St. Augustine and Havana Vieja. The green bus
almost became the symbol of the neighborhood. The Colombian groups interpret it as a binding element, not the periphery to the center but on the outskirts of Havana (San Augustine) to the periphery of Cali, Colombia (Newfoundland). The project takes place in two minds with two albums of pictures. The first is from Newfoundland. Is presented and used during the Biennial. The second - on St. Augustine - will be presented to the inhabitants of both places 2009.

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Jepoy - Nora



Under trials published # 5: the self-perception, Jepoy present a daily newsletter on the status of the territory taste. Part of the idea that perception of each state depends on a balance, spirit and body, which varies throughout the day. Many parameters influence the mood. Jepoy then takes into account the versatile character of this feeling and a study of the self-perception through the taste buds.
This research is conducted through a survey. Jepoy confronts the taste that a person associates, spontaneously, in their day to perceive its real spirit. Then the passer proposed grocery items taste different flavors and choose which ideally associated mood of the moment to highlight the perception.
From an analysis results, the artist defines the flavor of the day, a balance of mental and sensory perception of passersby. These will be published as a daily weather forecast. The artist reserves the right to make changes based on the results.

http://urbacommestible.canalblog/
see also "taste Urbanism: an edible model of St. Augustine"

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TASTE BULLETIN Schlecht with Yoan Manuel Gonzalez Rey - DISAPPEAR THIS CONCERNS

noises around us we see every day, often only unconsciously . The ear chooses and decides what is "important" and what is not hardly realize. If not and could not, for example, stand the noise of traffic. The drawback of this miracle is, however, that there are sounds that gradually we do not hear more, even if it had any value in listening.

Our goal is to allow everyday noises are heard. This is achieved by putting these sounds in other contexts: The atmospheric sound of the streets in Cuba is completely different from the streets in Germany.

The sound atmosphere and lively day of St. Augustine in the kiosks will be recorded and the next night, will be broadcast in the same place. The sound scene is repeated every day in the desert, causing an echo. The kiosks will be as lit scenes neatly on a day which sounds fantastic form act. The talks and meetings are gone. Not be repeated - there is only fleeting presence of people.


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Strange Maykel Rodriguez - MP APPLICATIONS


Applications
MP (Movement Pattern Applications) is a collective and multidisciplinary approaches to study the kinetics social and aesthetic seeking behavior in moving individuals. Drawing on an experiment designed in the nineteenth century to study the arrangement of electrons around the nucleus, the project has The general objective of translating the movement of individuals in the areas of the city to visual and audio products.

Products resulting from this process are as recording aesthetic of the dynamics of public space treaties. Their analysis at different times and seasons results in a kind of diagnosis that can characterize, from the art, the dynamics of each location. Maykel Rodriguez
associated with a physical, Rafael Fernández Torres, who is dedicated to image analysis and is responsible for scheduling and automation of all project applications. Depending on the progress of work, the artist works with several specialists who enrich the process of the work.

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Adonys Moreno Milan - LEVITA

The perception is a sensory image of the external structural features of objects and processes the material world, objects that directly influence the sense organs . The basis of the perception coincides with the sensations. The visual perception system is the most developed and important in the process of knowledge, then follow the tactile, auditory, etc. The manipulation of objects, largely conditioned by their structure, contributes to shaping an accurate picture.

Adonys Moreno

balloon makes a performance in which helium gas injected and inserted text messages referred to the conscience of the recipient, written by the same artist or collected from other authors. The balloons take off one by one, filling the night sky of foreign bodies. The aim of Adonys Moreno is the interaction with the receiver of the globe who, when reading the message contained in the ball, has shown to report the location of the balloon drop in counterparty which offered a reward.

From the results, the artist creates a map that reports how far a thought, idea, a message and have visual of how to move in different ways and directions, ideas. The ideas are not found are also seen as protagonists and those that find their target, they can talk through a kind of selection by the idea of \u200b\u200byour receiver.

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Maria Victoria Robles - MARKET Mariella

with Onel Hernández and Rafael Diez Corral Cue


Robles María Victoria is a young artist from Argentina who works at LASA with values \u200b\u200bas factors of change of perception. Play with codes of communication and promotion, usually used to the stereotypical image of Cuba.

Working with sound recordings of the sellers of San Agustín, mixed with the sounds of the streets, then burn a CD. It is created from the mixture and technological touches reflecting a kind of rhythm and activity of the streets that are promoted as a "tourist souvenir" to invite and revitalize know the customs of this part of the city.

www.mercadonegrodearte.blogspot. Com

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CANCION Sola - ACCOMMODATION ephemeral sculptures


Think of the construction of "ephemeral sculptures living" in urban areas as a sort of "between places", small geographical locations utopias, specific places that hold the imagination and invite the inhabitants of St. Augustine to experience about your self-perception regenerating also a sense of belonging urban public space. Login

within spherical structures that let in light and to invite small shifts or travel inland, to interfere in the scale that each has in relation to their territory and their own bodies vary some internal mobility such as breathing or vision, so that they take place, in turn, changes in self-perception. Perhaps minimum stimulate changes in how we perceive and interact with the environment.

A sculpture off the floor ephemeral participants were asked to write a short sentence as a testimony to their experience, then make a selection of some of these to be projected in the urban walls of St. Augustine.

www.correspondenciaaea.wordpress.com/


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Fernando Rubio Ahumada - LEAVE FOOTPRINTS


trace is a tactile and olfactory mechanism that involves taking impressions of the passers-inhabitants of a place in liquid beeswax (melted at 40 ° C) and stained red. The negative casts of the fingers of bystanders and the immediate result of the fingerprint / flower arising from this process are the strategy with which to build a link, a point of intersection and dialogue with the people and the space involved, together.

The project is a short-lived (may take hours or even days) and has a participatory structure. As interdisciplinary proposal, the project combines the design, town planning, architecture, travel from one place, sculpture and exchange ephemeral social, cultural and experiences.

www.fernandorubioahumada.blogspot.com /

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Club Real - MYTHICAL SELF-PERCEPTIONS OF THE RESIDENTS OF SAN AGUSTIN OR WHO ARE YOU?




Real Club (Austria) is invited to Cuba, once again, after completing the projects "Combined Dreams" in 2005, as part of EU-Cuban intercultural MEHR LICHT! and "The Egg of San Agustín" in 2009, under the Tenth Havana Biennial. This time is part of the published trials # 5 under the slogan of "self-perception."
Germany and Austria The group encourages people to think about themselves on mythic dimensions: "With what I identify heroin or hero? Which story or legend, I see myself and in what role? "
Club Real people live together St. Augustine to connect the mythical background of people with the everyday environment around them and develop in this way, a scenario that expresses the vision of the participants.
To bring to reality the mythic dimension of self-perception by using a technique that has been targeted in recent projects: the insertion of fiction into reality through (large / numerous) items drawn.
Thus, Club Real creates a perceptible version of the vision of participants, documents and communicates to people, at the end of the project (May 14) is organized a presentation in San Augustine.

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The first White Night in LASA

Atmosphere Session "neat"



First White Night in Havana take place in St. Augustine from 29 to 30 May. Is inspired by the famous "Nuit Blanche" that takes place each fall in Paris (France) on one side. Overnight White argues, on the other hand, the opposite of St. Augustine's reputation as " dormitory housing." Tonight in St. Augustine will be revealed and to awaken the senses. From 8:30 pm on 29 May to 30 April 6:00 a.m., the art takes possession of the dream before 12am actions are carried out throughout the area san agustinense: Fernando Rubio Ahumada de Colombia, Argentina María Victoria Oaks with Onel Hernandez of Cuba, Mariella Sola de Chile and Spain, Germany Nora Schlecht with Yoan Manuel Gonzalez Rey, Jepoy of France, young Cuban artists - Adonys Moreno, Maykel Rodriguez, Raymel Gil Vega.

After midnight, Andrew D. Abreu, curator of space Zéro the Alliance Française, transform the LASA Center, a former boiler room of the laundry san agustinense and its tank 75 m2 underground scene for Atmosphere, "Session neat" . This project is an artistic alternative between exposure and electro party. Artists from the visual and performing arts pieces created for this specific action as they did in the recent past in the Development Center of Visual Arts, the Casa de las Americas, Bertold Brecht and Theatre for the video-dance festival . Among others, Rodolfo Peraza, Maykel Rodriguez, Kike and MM Wolf VJ, Del Valle Abad DJ and VJ, MN ia and VJ, the Pink Pistols, Manolo Castro, Analia Amaya, Hanoi Perez Bernal Yaniezki Farrad.

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Guidelines published trials # 5: the self-perception




For Aurélie Sampeur, curator of LASA

Under the Tenth Havana Biennial , LASA - Laboratorio Art of San Augustine - held its second and third public trial on the exploration of identity, from the visual and auditory senses . The artists and groups invited contextually worked during his residency and developed plural works in relation to planning, architecture, religion and society as well as the imagination, dreams and innermost feelings of passers of the deal.

The diversity of issues addressed (mobility, environment-friendly, human desires) and the techniques (photography, performance, installation, painting, audio-visual, drawing, poetry) illustrate the possibilities offered by the artists at LASA residence. Each artist participating in the laboratory should immerse themselves in the context san agustinense to create in situ, outside of institutional frameworks and enclosed spaces, sensitive works that contribute to the research conducted by LASA on the current line the identity of St. Augustine. Each artist is able also to prepare their claims open workshop of 150 m² : The Center LASA. This space functions as an information and meeting with the public specialized, but also with the local public role to provide a more transparent to the outside.



Throughout 2010 and 2011 will take place on public trial # 4: touch, building furniture (street markers, bus stops, benches, fences, etc.) As permanent marks on the urban fabric. In April and May 2010, LASA Center artists will be available for public trial # 5: the self-perception that consist of an exploration of the subject in relation to its environment. In fact, each has a different scale of its territory, the surface area and needs in this space, its value, the internal and external mobility, trade, the opening or closing of this place whose boundaries can be transparent or impenetrable.

During the spring of 2010 will take place on public trial # 5: the self-perception. LASA will host European artists, Latin American and Cuban. His artwork will have as focus the self-perception: "How one is perceived in relation to their environment?" influence is through art on the perception of space one day and frequent perception of that environment. The artist may be amended by a direct action on the residents and passersby. Integrate them into the creative process: Some artists can work on how people inter-act with the public space: how they appropriate it, reject it, take care of it, modify it, and so on. The artist can also act directly on the same space, integrate their work. Then use different technical and / or objectual that influence space as a car, posters, panels, fences, buildings or existing buildings. Many artists choose to develop a proposal in which to mix the two approaches.

The goal is for artists to develop works in public spaces that provoke, stimulate through various resources, reflect on the territory and the individual perception of each in this space . The artist will have to take into account the specific context of San Agustín (periphery, dense and extremely heterogeneous population, among other things), but also the opportunities and resources framework reduced Cuban and LASA, privately funded project of the creators .

Monday, February 15, 2010

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Brief History of Daito Ryu Aiki Jujutsu in Cuba:



By: Max Fernandez Rodriguez Roy
President of the Cuban Association of
Daito Ryu Aiki Bujutsu
A lthough it very similar and all that remains today, "Bushi no Jutsu Dojo Shin-Zo"
(originally "The Way of the Warrior"), it was probably the first dojo in Cuba
to teach Daito Ryu Aiki Jujutsu.
In the last decade of the 1930 Japanese immigrants on the island, taught various forms of jujutsu in an extremely secret, only to relatives or friends close to the Japanese community within these styles that were taught, was the now famous "Daito Ryu."
Much later, Japanese officials, Dr. Hideo Hanmura and Mr. Taro Nishiyama, members of the Dai Nippon Daito Ryu Aiki Bujutsu Rengo Kai, instructed another generation of students, which included a small number of Cubans, some of whom were young. It is to this generation, the current dojo was presented, because it produced figures such as William Murphy Del Cueto, one of the students Hanmura Sensei, who first taught Max and Roy Fernandez Rodriguez led his first steps in this art, under the direction of Dr. Hanmura.
Fragment of an article written by:
Ayako Yamamoto Sensei, entitled:
"Daito Ryu in the Caribbean"
A a vibrating latent in our memory as flame those recommendations suggested by our beloved and respected teacher William Murphy del Cueto, written in an eloquent letter dated 20 December 1992. It gave us important councils response to our questions, which marked the beginning of a difficult but beautiful mission in this country, the noble task of educating, educate and expand the legendary art of Daito Ryu Jujutsu Auki.
In an excerpt from that text we read:
... "If you want to train with someone else's art, do it with people you can trust. Have integrity, dedication and honesty, but mostly humility (pride and arrogance destroy the spirit of Aiki). "
That same year, we received another important letter, whose text we infused a mixture of satisfaction and awe, we were honored by the confidence that our teacher had placed in us, but parallel to that we fear to face the fact and take After such a huge assignment, which required courage, knowledge, loyalty and above all absolute will of steel. Trembling and heart latiéndonos chest heaving inevitable we read with astonishment the lines in which our teacher we proposed:
"... talk to them your students the true spirit of budo, the practice of the samurai of the Aizu clan, which is called "Misogi" (purification) etc. Culture and manners were part of the elite of the Aizu clan, descended from the Minamoto clan, and particularly the Takeda group (part of the Aizu clan) for their discipline was just as the spirit, if someone was not able to control , was not considered man, much less Samurai! (Not allowed to drink, have bad manners.). This is what I hope you can teach in the manner of attitude ... maybe your students can choose to adopt and create a good group to continue beyond the true direction of budo or Bujutsu. "
This was a great start! ... the first cut made in our own spirit, with the noblest of swords, a true warrior can do. The first firm step on the correct path, following the traces left us a beautiful and rich tradition of Budokas, decorated with a vast and storied history written with the highest principles that humans may possess, including: Honor, courage, compassion and loyalty ... a story put into practice by men of high wisdom and culture, whose audacity kindled and allowed them to move forward overcoming all fear and indecision. Was thus we made the decision, taking as standard, our debt of gratitude and respect for our teacher and the legacy that transmitting. And accepted the challenge and we took on the task of selecting a small group of top students who lectured on "Jyoshin Mon Shorin Ryu Karate Do," with the ultimate end goal of giving effect to the proposed Murphy Del Cueto Sensei.
Our first strategy was to begin to reassert those students further purified spirit, instilling in each practice session the firm purposes and principles of ethics and culture of Bujutsu and Budo, take root in their hearts the rich traditions and discipline of the art of Daito Ryu.
The 13 December 1993 the first began to teach basic technical aspects at the level known as Oku iri (entering the secrets of style) jealously measuring spiritual behavior of each of them it was necessary to evaluate the level of persistence of individual students and their attitude to the inviolable rules of the code of conduct inside and outside the dojo, it took us a long time, because the mind of some still had traces of the alterations that reveal the films of "arts martial in the theater, as well as large negative influences left by the deplorable some martial arts competitions in future and so-called "combat sports."
was not an easy job even if fully complied indications inviolate codes of conduct and the wise advice of our teacher, we were gradually creating in students of different ages and sexes, a new way to see and appreciate martial arts, the new form and atmosphere that emphasized the harmony correct at the dojo. They spoke and demanded Reigi (courtesy and etiquette), the Shugyo Shin (Spirit of austere training) and Misu Irazu (mutual aid, without contradictions). At that time our dojo was named "Fuji Yama Dojo-Bunko "to remember and praise the name of the Dojo of Sensei Murphy Del Cueto, of the same name and its look to clarify that ours was a branch of that.
So the new seed of Daito Ryu Jujutsu Auki began to germinate in our country are beginning to give way to nostalgia and wise idea that a group of Cubans demonstrate that the true Budo could root in the heart of every practitioner of the art with humility and decency, regardless of the lack of resources, dissatisfaction and insecurity of the skeptics, the vituperation of some, nationality, race, culture difference, the traditions and ideology. Nothing can stop the human desire to create, to take the difficult work consolidation is proposed, to love and fight for just causes, away from the mediocre and unseemly. In this way begins to come true the dreams of the heart, great ideas, the last parcel and the difficult goal trazábamos us only with a fair goal and a belief instilled by our teacher.
We learned in these hard times that falls are only slides to propel, the sores often become shell when blood clots, the sweat cools our body and mind enlighten the face with a glow staff perceive only those who persevere in the spiritual victories post .
Looking
heavy fighting that we deliver on our mind, the permanent slogan was able to continue what fifty years ago, our country was just a nightmare inconsolable for some Japanese immigrants as we have been transmitted came to our island trying to escape the persecution of the Kenpo tai (imperial secret police), by the mere fact that they belonged or were members of religious sects and Ichirei Omoto. They were forced to travel to different countries, including Cuba, with false passports, after the war, hiding their true identities and posing as traders, hawkers and vegetable growers, who were called by the people, wrongly: "Chinese," as you see by his countenance spoke Asian or because they Mandarin or Cantonese, not to reveal its original source. The reality was that they were mostly descendants of the high class Samurai (Hatamoto). High-ranking officials and nobility who read the Chinese classics and knew the art of Oshikiuchi (old name of Daito Ryu). Despite all this, it could only share this knowledge our land in a hidden with their closest relatives, deprived by this situation, to convey the noble legacy of his art, much less publicly and officially instruct him in Cuba.
Unfortunately for us, many of these teachers were killed in anonymity without being found by their relatives. Others returned to Japan being closely guarded secrets of his art. This was the case "Tomeo Fujita, a cousin of Ichikawa Yoshinori (" Soke "style: Daito-ryu Aiki Bujutsu Ryu Saigo has Ko). Which returns to the "Land of the Rising Sun" between the years 1956-1957, approximately.
These little known facts, for our nation, inspiring us and we inserted an authentic enthusiasm to continue the history of Daito Ryu in our country and preserve the legacy that the teacher teaches Murphy Del Cueto, Daito Ryu style.
The first group of Cuban students who began the practice in 1993 led by Max Roy Fernández Rodríguez, direct student of maestro Guillermo del Cueto Murphy were :
1. Pedro Jesús González inbox.
2. Joseph A. Rodriguez de los Reyes.
3. Reynier del Rosario Sánchez.
4. Ariel del Rosario Sánchez.
5. Nusdey de la Caridad Alvarez Frometa.
6. Virgilio Saldivar Rodriguez.
7. West Cesar Rodriguez.
8. Jussep Torriente Pedroso.
9. Jans Sosa Rojas.
10. Brian Castro Sosa.
11. Silvio García Delgado.
12. Yuney León Santiago.
These students were those who started the practice, then added another to increase the initial group. The practice in those days became rigorous, since we shared the stressful time in two sessions, "The first began at six in the afternoon with the Jyoshin Mon Karate Do, culminating with eight in the evening when starting the second session dedicated to learning Daito Ryu Aiki Jujutsu, ending at ten at night and on many occasions, more after this time "
We must clarify, it deserves merit, that this small group consisted mostly by children and adolescents, which will work together with adults fighting ruthlessly against the pain of the many films on the hard surface of just one inch in height, filled with wood chips and covered with a canvas of an old damaged tissue thickness , which was tied to a rotten frames and hard wood, this mat had a dimension of four by seven meters.
much more painful was the application of techniques for students, since they had many skills and constant injuries occurred in the joints of the wrists, knees, ankles and torn ligaments.
The dojo was a kind of trench, where he resisted hunger and thirst, the appearance of the students was really pitiful, their uniforms were torn by their poor condition, there were no Hakamas, of course, the lack resources in our country.
bathed They practiced all of copious sweating, bleeding knees by the practice of Shikko Ho (knee walking), pale and breathless by the supreme effort. All this made us think at times that everything would end at any time, but night after night repeating the same situation and the complaints of those dedicated practitioners expressed their faint smile and a positive movement of the head when one of his fellow practitioners and I strongly projected it applied an efficient control (Osae).
Upon completion of classes, late at night, coming home was transporting cycles manufactured in China. Some students had to overcome the distance of about twenty miles away, between the dojo and their homes.
Things get even harder, as if the law of cause and effect would prove, or prevent us from meeting our objectives, as it turned out that this humble dojo that we had provided for the practice was required by management of Iron and Steel Company "José Martí" (West Indian steel), to install a printer there. The decision was irrevocable, since our pleas were of no avail before the directors of that institution. The fact was accomplished, but this unwanted incident, became in turn a new test. Thus the new dojo we share, it became a grass lawn surrounded by a steep slope where there was a ring of the national highway, at the very edge where the town begins the "Cotorro" in Havana. Here the stoic group of practitioners began their practices again, sincerely applying the concept of "Seichin Tanren " (training to strengthen the spirit), combined with Shugyo. The enthusiasm was such that with the constant training of grass turf, ended up being a hard dirt field, where the feet of the students were hurt, this brought further setbacks seriously because we were asked by the parents of many of them and last but not least, we are threatened with expulsion from the place, at the request of the workers in charge of forestry beautification of that space setting, for the reason of damage to the lawn.
also suffer the vituperation of many passers-by place, teasing and indecent words against those exhausted and worthy students, who eagerly sought only to find the "Satori no Waza" (The understanding of each technical study of art). Despite the discipline and perseverance of this group, beat all restraint and stayed there, for about year and a half, overcoming this difficult, but beneficial test.
finally get justice somehow. With the help of many good people who helped us get the news that we were "OK" again in the same company "West Indian Steel," an area specifically designated for making a sports complex of interest to that organization, fulfilling an agreement made with the institution of National Institute of Sports, Physical Education and Recreation (INDER) Cotorro Township.
designated area, even without a roof and no floor required many resources, which by the favor of the parents of the students themselves and we made many efforts appeared. The roof was installed and the floor, after some time of pleading with the leaders of this company. This lasted about five or six months, then started again search for a new canvas to make their contest with another timeout for that solution.
All this work culminated in 1995 when it finally came to organize and decorate the place, to make it a real traditional Dojo Budo practice.
On 10 September the same year 1995, formally confirms that Up Roy Fernández Rodríguez is designated as the official instructor of Daito Ryu Aiki Jujutsu (Saigo has Ko Ryu), Shoden Mokuroku level, condition suggested by Murphy Del Cueto Sensei and is also authorized as a regional representative Cuban group's Rengokai to the Republic of Cuba at the request of Hanmura-Shihan Hideo (Fukushido Hombu-Cho So Hombu Dojo).
We took on the task of finding an appropriate name to explain by itself all the dedication, bravery and courage shown by our valued group of students. So he appeared names like "do Dojo Bushi" ("Place of the way of the path of the warrior") and "Shin-Zo Bushin No Jutsu Dojo" ("Place of the way of art from the heart of the warrior") . A name, according to some "unconventional." This latter after all, even with errors expressed in magazines and articles which appeared published. So we change it, in a not too distant future.
The battle for spiritual growth shrank not a single moment, included other rules of discipline and ethics, obviously to control the conduct of practitioners who continued to add up. This resulted in all combat as the sad and unfortunate loss of some initiatives and the inclusion of others that did were able to break their bad ideals and his own ego as it induces has made the noble legacy of Budo. So "Victory right on your own weaknesses" prevailed before the spiritual defeats of some.
As ocean waves, some perished in the comfort of the beaches, but others from the heat of battle, emerged, joining the unstoppable flow and vigorous, with energy and power.
The arrival of 1996 was an encouraging incentive for the persistent strength of Daito Ryu group in our country, because on 7 February that year officially recognized practice in Cuba by the then called "Cuban Federation of Karate and Martial Arts Related (FCKAMA), at a meeting held in Sports City Ciudad de la Habana, with senior representatives of the Federation and the respective presidents of the Association of martial arts that were involved, which also elected Max Roy Fernández Rodríguez, President of the section of Daito Ryu Aiki Jujutsu in those days mandated affiliated to the Cuban Association of Aiki Do.
On Saturday October 5, 1996, a selection of this group of Cuban students, led by its chairman and instructor made "The first public demonstration of Daito Ryu Aiki Jujutsu" in the Colosseum itself City Sports City Havana, which caused great expectations in this hobby, this caused a strong interest in understanding the origin, history and technical strategy of this ancient martial art.
This allowed some journalists and photographers were interested in filming a practice session in the dojo, to disseminate this unknown art, the Cuban public. The shooting took place and was taken to the study of Cuban Television, a program called "All Sports" channel "Tele Rebelde", 23 March 1997. At the same had the opportunity of doing a live demonstration and most importantly, expose subjects of historical interest, ethical and philosophical references to the style. It was a great time to make it known that the Daito Ryu and we did in Cuba in this regard.
We had the privilege of having our first show could be viewed as recorded by teachers from Puerto Rico, Canada, Israel and Japan, which stimulated us with congratulations for the good work and discipline, and the recovery of tradition. Master: William Menkyo Murphy Del Cueto, Kaiden (Technical Adviser North and Central America, and our head teacher), Miguel Ibarra Sensei (Yama Bushi Daito Ryu Ju Bokuyukan), Daliah Seima Israel Sensei (Daito Ryu Saigo Ryu Ko has Uchideshi Ichikawa Sensei), Ayako Yamamoto Sensei (Official Representative Rengokai). Among others who gave their opinions satisfactory in this regard.
continued arriving in our hands the instruction materials Daito Ryu teacher and some students of Murphy del Cueto for "Fuji Yama Dojo" in Canada visited us pass on the lessons, experiences, ethical and philosophical, that our teacher suggested to us and especially encouraged to continue working with the same enthusiasm.
On September 28, 1997 held a demonstration of Daito Ryu in order to definitely change the name of our Dojo, which was suggested by the teacher Ayako Yamamoto Sensei. Which was due to the fact that his father joined the Dojo to Dojo master Akio Sakura Sensei, leaving a vacancy in the name of their own dojo.
Ayako Yamamoto sensei consulted with the teacher Murphy Del Cueto, if we wanted to return the name to rename our Dojo and retain the name of his father. He would not notified and with honor, we agree to adopt it, so definitely our Dojo is named "Bushin Dojo "(The place of the way of the warrior spirit) a good name with a rich tradition that arguably provides the desired vision of what the ultimate goal of this humble site for learning the art and our desire to train Daito Saigo Ryu Aiki Jujutsu Ryu Ko has , because this is nothing more than promote the true spirit of Bushido in the heart of Cuban martial artists.
The October 10, 1999 public in Cuba is a modest work in the newspaper Juventud Rebelde, the importance of cultivating the tradition of our style, the arrival Cuba from Daito Ryu and other aspects that repealed the bad information that was in the arts of the ancient samurai of Aizu Clan entitled "Daito Ryu Aiki Jujutsu IS ESTABLISHED IN CUBA." Although not written anything that wanted to exhibit, we give a short message which explained that the Daito Ryu is against violence, then display it in every moment of life even outside the dojo.
The January 11, 2000 is made an official ceremony of "Keppen" (Blood Oath) with seven of the most dedicated students of style, which put his honor at stake, to be sworn loyal to the style and take care of technical and spiritual deterioration as well as conduct an honorable and dignified as true Budokas.
The 26.27 and 28 days of February of that year, after the arrival in Cuba (Oct. 24) by Richard Thiessen Randolf (Randy Thiessen), is made the first official test ranges Daito Saigo Ryu Aiki Jujutsu Ryu Ko has a group of Cubans who with so much love and dedication were held for eight years doing his duty. This, to put it this way does not seem significant, but the fact is that the spirit of "Shiken Shobu" ("Fight to the death, living sword") became a reality at this point in the history of Daito Ryu in Cuba. Everything begins with love and enduring spirit longed receives its fruits. The major effort since the beginning of this select group of students who maintained and kept aloft the axiom:
"We made the decision and that choice makes us"
We pointed out in force Saigo Tanomo sentence written by the priest of the Aizu clan in which states:
" When you hit the flow of a river that no trace on the water" because the same shock, the trials and tribulations faced could not stop the flow of the current dynamic that every candid mind set towards their duty and commitment.
Thus, this group with their faults, errors and virtues. Launched another great struggle against the vicissitudes, before the test. And with the confirmation of the visit of the representative examiner, we were in a difficult situation, as the Dojo was virtually no Tatami, which had made us stop practices there.
Weeks before the arrival of Sensei Randy had to work hard to get together and buy canvas, which was acquired with the help of a student, Dojo conjugábamos arrangements with scheduled practices with regard to evaluation. Restoration work began at five in the afternoon, until seven or eight at night and exhausted and had to start practice in an area of \u200b\u200bJudo that we paid after the finished their daily training instructors, often between eight and nine past meridian, then we started late at night.
Finished arrangements Dojo area including painting and decorating, was the day appointed for the testing.
Randy Thiessen, Senmu Rijicho (Vice chief representative for Canada-Cuba), who officially witnessed and videotaped each presentation of the students, led the review, which was authorized and approved by the FCKAMA, the Rengokai (Japanese Association) and IBA International Budo Association).
Randy Thiessen was very impressed with the students who stayed the three days of testing with virtually no power lunch, or drink water during the long sessions that made them. This was a task that was due, not so much to demonstrate the technical level, but for teach and be an example of the power of the spirit of Budo.
participated in this review examined by the following levels:
1. Taylor Añón García (Level Okuiri) 5th Kyu
2. Ivan Castañeda Suárez (Level Okuiri) 5th Kyu
3. Saumel Luis Ernesto San Martín (Level Okuiri) 5th Kyu
4. Juan Pablo Bakura Salina (Level Okuiri) 5th Kyu
5. Víctor González Fernández (jo Nikka Mokuroku level) 3rd Kyu Chu
6. Virgilio Saldivar Rodriguez (Level Nikka Mokuroku jo) 3rd Kyu Chu
7. Ariel del Rosario Sánchez (jo Yonka Mokuroku level) Jokyu 2nd Kyu
8. Amaury Hernández González (jo Yonka Mokuroku level) 2nd Kyu Jokyu
9. Miguel Antonio Romero Rivas (jo Yonka Mokuroku level) 2nd Kyu Jokyu
10. Dionne Daudinot Alonso (jo Yonka Mokuroku level) 2nd Kyu Jokyu
11. Burzón Pedro Jesús González (Level Yonka Mokuroku jo) Jokyu 2nd Kyu
12. Nusdey of Charity Frometa Alvarez (jo Gokken Mokuroku level) 1st Dan Fukoshidoin Yudansha Jokyu
13. Reynier del Rosario Sánchez (jo Gokken Mokuroku level) Fukoshidoin. Yudansha Jokyu 1st Dan.
Shidoin Max Roy Fernández Rodríguez (Level Gokurai) 5th Dan.
The July 21, 2000 taking advantage of the visit of Ms. Donna Murphy (wife of William Murphy sensei) to Cuba was made a formal act "Bushin Dojo" with the aim of officially handed over the certificates of rank, approved by the fourteen members Rengokai Cuban examined, as well as the scroll authoritative for the instruction at "Bushin Dojo."
These were received from the hands of Ms. Donna Murphy own Sensei, who also did reach the hands Roy Maximo their status as "Shidoin" ("Who can point the way"), and Menkyo (The license of instruction), which in turn, handed over two of its students Certificates evidencing "Fukoshidoin" (assistant instructors). Following the inaugural ceremony was held by the students a demonstration of Daito Ryu in honor of this fact and the opening of "Geiko Natsu (summer internship) in Cuba.
The December 12, 2000 is actually the dream of opening the first dojo branch in Cuba, "Keiikan dojo," in Nuevitas, Camaguey. It is followed by opening the "Nintaikan dojo" in "Tapaste" Havana province, the January 15, 2001, the dojo Seigyokan the March 9, 2001, in "Rio Cauto," Granma Province, the dojo Kyoshokan in Guantanamo, August 24, 2003 and Meiyokan dojo, the September 17, 2003, in Holguin.
The March 21, 2005 the Japanese Association "Dai Nippon Daito Ryu Aiki Bujutsu Ryu Saigo has Ko, formally ratifies the recommendation of Murphy Del Cueto, Hanshi, the highest position of honor as a representative of the Cuban organization Daito Ryu, with promotion junior member of the "Shihan Kai" Roy Fernandez Maximo Rodriguez, and November 7, 2006, is awarded the rank of "Renshi."
In the near future it is expected that "Bushin Dojo" and other dojos branches, leaving the future teachers that will expand this ancient art with the opening of new Dojos around the country. This is a dream that our teachers will yearn for something real, to bring the whole country the rich lessons of true Budo.
gosai MASHITA DOMO ARIGATO!
(Written for the study of the Cuban Association of
Daito Ryu Aiki Bujutsu Saigo has Ko-Ryu).


Cycling Themed Party Cakes

Japanese Martial Arts in La Habana Vieja. (1908-2009)

The history of the old part of Havana, Heritage Site by UNESCO 1982, is colored by the presence and the traces left by children of the rising sun country, starting with a famous missionary who visited the city in the seventeenth century in transit to Europe.

Rokuemon This is Hasekura Tsunenaga, who sailed from Sendai in 1613 as ambassador of goodwill (Keicho Mission) sent to Europe during the Age of Discovery, by order of the then feudal lord of Sendai, Date Masamune. Crossing the Pacific Ocean and the Atlantic, arrived in Spain and Rome, where he managed to be granted audience with King Philip III and Pope Paul V. Tsumenaga returned home home in 1620 after a long journey of 7 years, having spent many hardships in foreign soil, overcoming difficulties and fulfill its mission. It seems that some members of his entourage stayed in Coria del Río, Sevilla region, Spain, where they were so well received that ended up married to native who bequeathed them the name toponímico "Japan." His statue donated by the University of Sendai, was placed in front of Havana Bay.

The Havana public has had the opportunity to see demonstrations of Japanese martial arts since the early twentieth century, beginning with the jujutsu, which means "Science of softness" or "gentle art" and is named after the fighting techniques developed in Japan by the Bushi (men) during the Kamakura period (1185-1333). Techniques were originally intended for unarmed fighters so they could defend themselves against enemies who were still armed and are designed to disable, maul or kill.

This derives from the ancient art of kumi-uchi techniques or yawara, among other names as described in the thirteenth century Buddhist treatise called Konjaku-monogatari, and techniques combined with movement and keys taken from the ancient Chinese methods of combat.

During the Edo period (1603-1868), when Japan was in peace, the ju-jutsu spread like a martial art and techniques are spread throughout the country. His practice is regulated at the beginning of the Meiji period (1868-1912) at the time when the samurai were forbidden to carry a sword and fights between noble families were also prohibited. At that time, ju-jutsu for the samurai became a means to obtain resources by any type of activity and public exhibitions. JUDO



In 1882, Jigoro Kano Shihan, with the knowledge gained from two major schools of jujutsu, those who added their own discoveries, he founded a new system of physical culture and mental training called Kodokan Judo. Judo then started charging an unparalleled moral and ethical principles based on collective well-being and physical and mental prosperity, and finally took root in Japan in 1886.





Jigoro Kano


The first signs of jujutsu practice in Cuba, dating to the first decade of the twentieth century. Rolando Alvarez historian says in his book entitled "Japanese in Cuba," which Naito Goro testimony in 1908 was in Havana on Japanese judo expert, Mr. Mitsuyo Maeda, fourth Dan Kodokan Ju Do Japanese born in 1878 in Hirosaki, Aomori Prefecture, which won high reputation in the
Island




Mitsuyo Maeda (Conde Koma)

on this fighter Norio Kohyama wrote a book entitled "A Lion's dream, the stsory of Mitsuyo Maeda, who traveled to Cuba and Brazil to document with reports in the press and testimony from members of the Japanese community in both countries. According to this writer, Maeda moved to Tokyo at age 18, entered the Kodokan in 1897 and quickly stepped between the most promising young judoka. In 1904, at the invitation of U.S. President Theodore Roosevelt, the Kodokan to that country to Mitsuyo Maeda, one of the first students of the master Jigoro Kano, and Tomita Tsumejiro sixth dan, one of her instructors, who were demonstrated at the Military Academy at West Point. Tsunejiro Tomita, carry theoretical explanations about the martial art, while Mitsuyo Maeda physical demonstrations would ...




Tsumejiro Tomita

In 1908 Maeda was in Spain where he participated in combat as Count Koma has since became his professional name. Five years later he was in El Salvador where on the night of January 2, 1913 participated in the functions of a circus with a Japanese martial artist named Nishimura and a Cuban named Perez who made a match won by the first five rounds. In that city Maeda taught American officers and military classes of the president.

His tour was Mitsuyo Maeda America to Chile. Demonstrations held in Valparaiso in 1914, and made also some fighting with athletes from wrestling, boxing, etc. With he acquired some knowledge of jiu jitsu Pelegrini Amadeo, a former wrestling champion, who taught this art in the Chilean national police

Mitsuyo Maeda settled in 1915 in Bethlehem, capital of the Brazilian state Pará, where he tirelessly to help Japanese immigrants since 1900 were established in southern, northern and northeastern Brazil. Bethlehem became his permanent home and from there traveled to other countries in Latin whenever the opportunity presented itself. In Brazil taught Carlos Gracie, founder of the Gracie Academy Jiu Jitsu which opened in 1925 in Rio de Janeiro, which was also a professor a called Helio's brother Carlos, who was famous for his victories against Japanese champions

The famous Japanese wrestler Mitsuyo Maeda, known professionally by the Conde Koma, arrived in Havana in January 1912 with three other Japanese judoka named Akitaro Ono, Satake and Ito Nobushiro Tokugoro and were called "The Four Emperors." Count Koma made some demonstrations and fighting and offered some money to the contestant who endure five minutes of combat, as well as a sum much higher than who managed to overcome it. On Wednesday January 31 Ono beat Desiderio Akitaro Llanes and Thursday February 5 Ito defeated in 12 rounds. On Friday 9 February Akitaro Conde Koma defeated in 29 rounds.







In April 1918 Payret presented in the theater, located at Prado y San José, the champion Tayemon Takeuchi. Three years later, on September 26, 1921, became world champion Havana Conde Koma, or Count Amarillo, who was accompanied this time by Professor Satake, already known to the Cuban public, his wife, his secretary and a cook. Nine years had elapsed since the last presentation in Havana Japanese champion, who traveled to Latin America, where he defeated every fighter and fan to put on the classic kimono to face. During that period spent 6 years in Brazil (5 in Parana and Rio de Janeiro 1).

On debuted September 30 in the theater Conde Koma Payret, or call Red Colosseum as Enrique Fontanilles in social chronicles. In the demonstrations that took place before his appearance on stage, took the first dan in judo Sadao Kubota. October 14 Conde Koma defeated the English Incognito and to protests and challenges beat him again on 22 this month, but not 10 rounds as he wagered.

The wrestler known by the English Incognito who fought with Count Koma, was called Pablo Álvarez and in 1924, residing at No. 57 O'Reilly Street (now 453 between Avocado and Villegas), announced in the local press their ability to train experts fighters through a correspondence course that included training in scientific struggle, self-defense, jiu-jitsu and physical culture. The fighter, who was proclaimed undefeated champion and teacher of many students, also offered his service fitness obesity.

The Conde Koma in Brazil died in 1941 at age 63, naturalized in the South American country and without having returned to Japan since its release in 1904. During his pilgrimage to the United States, Spain, England, Cuba, Central America and Brazil, is dedicated to demonstrate the superiority of judo on the wrestling and boxing that the branding of games with rules, and to instruct and prepare judo for the purpose of extending knowledge, teaching and practice of the oriental martial art in the Western world.

seems that between 1908 and 1912 the Conde Koma resided in Havana and gave instructions to his art to several young people in the capital. A young Mexican named Miguel Angel Febles, born in 1896, who practiced boxing and jujitsu, along with another pioneer of physical culture both specialties Aranguren named Chu had the opportunity to meet Conde Koma and become his disciples. So many and so rapid advances Febles, who stunned his master, world champion jujutsu, who predicted that despite its light weight (126 pounds), young Mike would be an outstanding fighter Febles. Subsequently, the young Mexican, with his friend Bernardino San Martín, was taught boxing in the first academy of the sport that settled in Havana Chilean John Budinich. Bernardino San Martín became champion of paper, title lost in the courtyard of the American Club in Prado and virtues, with the Chinaman Victor Thomas Achan.

On April 13, 1913 there was a boxing match in the 112-pound division, in a makeshift ring set up in a humble house with a cement floor, located in the Conde Cañongo Alley, next to the church Monserrate, where Mike lived Febles. The contenders were the Chinaman Victor Thomas Achan and Florentino Llanos. After the boxing match, offered a display of jiu jitsu by Mike Febles and Mike Chu
Aranguren
Febles defended his lightweight title against jiu jitsu aplatanado American Cousin Walter, who beat him in a meeting held on Sunday January 10, 1915 at the Circus Pubillones, which held their shows at the Grande Politeama. On 8 May it was announced that it would conduct the first exhibition in Havana jiu jitsu world champion Taro Miyake, who offered a thousand dollars in prize fighter who beat him and 250 to resist it for twenty minutes. Mike Febles beat Japanese champions stunned the crowd at the Arena Columbus, outdoor theater located in Zulueta between Dragons and Lieutenant King, who was devoted to boxing matches since 1915 by the Havana Boxing Committee ..

The following year, counting just 20 years old, Mike Febles returned home where he was a successful boxer and was coach of the Mexican squad boxing Aztec country represented in the 1928 Olympics held in Amsterdam, Holland. And, ended his life as self-defense instructor Mexican Police

After the Second World War in 1947, was established on the top floor of a house on Calle San Miguel, Centro Habana, a jiu jitsu academy, whose owner was a professor and Shigetoshi Japanese Morita was born in Japan in 1904, who had come to the island on December 17, 1925 and 16 years later resided in Calzada 251, Vedado. Subsequently, moved his academy to Avenida 51 between 118 and 120, Marianao, where he worked until the beginning of the decade of 1960-70. He died in Cuba on August 15, 1982

Before 1950 Mr. Julio Garcia taught jiujutsu Dr. Rafael Rodriguez at a local residence, located on Calle San Lázaro 910 (Liederman Lucas Gym), opposite the university. He also taught this art in Miramar, a young teacher named Francisco Chinese descent Sit Moc (Moc Kan Sent), of which the public learned of the capital, he could read two articles written by him published in Bohemia, in May 1950 and April 1951. Professor Moc Kan Sent, who also was an instructor of the Military Intelligence Service of the Army, had a large group of students composed, among others, by Jorge Alvarez, Eugenio love you, Antonio Moreno, Jaime Cervera, Pedro Gonzalez, Julio Cervera, Bernardo Wolf Ignacio Almagro, José Raúl Corum, Rafael Almagro and William Oberjeiser

The introduction of the classic judo in Cuba is because Kolychkine Andrew Thompson, a teacher and eighth dan, born in Finland and living in Belgium, who reached the island in January 1951 . In February of that year opened the first judo dojo or room, named Jujutsu Club Habana and located on 23rd Street near the corner of A number 1416 24, Vedado. In the following August totaled four existing clubs (three in the capital and one in Manzanillo) called Havana Club Jiu Jitsu, Jiu Jitsu Club Capitol Club Jiu Jitsu and Jiu Jitsu Club Miramar Manzanillo. They proceeded with the establishment of the Cuban Federation of Judo which began operating legally from February 23, 1952, established on the street corner number 214 18 A 117, Vedado. Also in 1952 he held the first National Judo Championship







Andrew Thompson
Kolychkine
The Capitol Club Jiu Jitsu was founded on July 7, 1951, located at the Arc Hotel Pasaje 6, between Prado and Zulueta (now Kid Chocolate Hall). The instructor of that club was Mr. Julio Garcia, who in turn was the secret police and an adviser to the Directorate General of Sports. At the opening of the club were demonstrated by Julius Garcia and Professor Andrew Thompson
Kolychkine
Since its inception the Cuban Federation of Jiu Jitsu (FCJJ) implemented an outreach plan to promote the martial art. On November 15, 1951 were displays and demonstrations of judo in the English Casino Havana, located at Prado and lively, with the participation Andrew Kolychkine, Julio Garcia and Francisco Moc Sit. Three days later, the Golden Eagle Theatre, owned and located in Frederick Chikacio Ray and Trench, in Chinatown, judo demonstrations were sponsored by the Chinese colony, which took part, among others, Andrew Kolychkine Thompson, Julio García García, Francisco Moc Sit, Michael Chang Chiang, Rigoberto Cheo, Gerardo Chiu, guard Luis Guerra, Luis Rodríguez, Fernando Yi Ballast, Armando Valdes. By FCJJ was its president, Dr. Rafael Dominguez. On March 22, 1952, in premises occupied by the National Police Academy at the eighth senior demarcation was carried out judo exhibition and a demonstration of self defense and fighting in which students participated Club Sevilla Biltmore, among others.

On August 3, 1952 started its activities Judo Banking Section, only two students: Bernardo Wolf, the Bank of the Caribbean and Donato Corum, of National City Bank, under the direction of José Raúl Corum. Shortly thereafter, students increased to eleven and came to four the number of banks active in joining the Royal Bank and Trust Company, located in the banking district called Old Havana. In the beginning this section performed his internship at local Judo Club

Telephone, located at Trocadero number 105, second floor, between Prado Consulate, headed by Professor Gerardo Chiu

Dr. Candido Mora, judoka, organized the competition for the National Capitol Cup which took place on October 7, 1952 in Room Capitol Arms, which is above the halls of the building that occupied the nation's legislative bodies, the Senate and House of Representatives. There had been the Section Judo Congress, whose admission to FCJJ occurred on October 29 of that year. He was appointed professor of the same Heriberto García González Francisco instead of Moc Sit.

In December 1952 he visited Havana Kodokan a delegation composed of Dr. Tagaki, eighth dan and Japanese national team coach, Yoshimatsu, seventh dan and champion of Japan 1952-53 and Osawa, fifth dan, considered the best coach in Japan. They participated in a festival organized by the Federation of Judo and Jiu Jitsu. Held in the Asturian Center of Havana, on 29 December of that year. The program was presented by Dr. Carlos de Lejarza, the nage-no-kata by Mr. Takagaki and Yoshimatzu. Also implemented the kochi-ki-no-kata and a demonstration of kusu-no-kata. Were also made interclub competitions.

in 1953 was the graduation of the first five Cuban black belts, named Heriberto García Gómez, Francisco Sit Moc (Moc Kan Sent), Julio Garcia, Luis Gerardo Guerra and Chiu Guard Asion. The latter was a professor at the Center Judo Club situated at Loyalty between St. Lazarus and Lagunas, Centro Habana. Two years later, the members of the National Association of Black Belts (the Judansha-Kai of Cuba) contained the first Danish Riichi and Kikuo Sakakibara, two Japanese brothers who resided in the country in the 1930 ;

was also a member of the Kai Judansha Mr. John Roelandts Verdy, first dan, who was elected to the post of Vice Chairman FCJJ \u200b\u200bdirective and member of its Committee on grade for the period 1955-56, replacing the President, who had not yet reached the black belt. He was CEO of the Franco-Belgian Section in the Federation, which had a large group of women who practiced the sport, his father, Emilio Roelandts was Honorary Consul of Belgium and he had held positions as Secretary and Chancellor of the Consulate , who was home on the street corner O'Reilly 202 San Ignacio. In the 1960's was manager John Roelandts Roelandts society and Sons and director of the French Society of Charities.

Karate-Do

Before 1959 several teachers taught karate classes in Cuba, among them the room they Wado Ryu nicknamed the Indonesian, who left the country around 1962.

trench in the street corner was located Campanario society Hai China's physical culture Yut Wui, where, from the master Wong Kei de1932 began training in Chinese martial arts (kung fu or wu shu) Rufino Alay Chang, who at the beginning of 1960 started in this discipline to the Cubans who later founded the National School of Karate do

In June 1964, arrived in Cuba to transmit various Japanese art of fishing for tuna in our country Masaaki Kohagura telling each member of the Communist Party of Japan and telecommunications specialist, who has been credited with the introduction on the island of the practice of karate-do Shorinryu style that originated in Okinawa. His first disciples were the Seven Samurai Cubans

Heriberto Rodriguez Oquendo (Agustin Rizo), Domingo Rodriguez Oquendo (Raúl Rizo), Carlos Rivero, Nelson Cruz, Fulgencio Vega Calero (Vargas), Joseito Rodríguez González García and Orlando Reyes (Indio) . Two years later, in June 1966 opened the first room of karate-do in the upper Caracas old restaurant, located on the corner of Neptune Prado.







Masaaki Kohagura
Kohagura
The teacher, who recognized Raúl Rizo as the leader of the karate-do Cuban, remained in Havana until 1969, living in the house Akino fellow Yamane, who was a technical instructor workshop lathe Cuban Fishing Fleet, and lived with his wife Yasuko in Havana del Este. When he finished his mission in Cuba, was replaced by Seiki Kobayashi, who also worked on the preparation of Cuban karateka.

visited Cuba in 1969 Joshin-Mon teacher named Hoshu Ikeda, fifth dan, who remained in the country for a month and a half with the goal of providing a special course. His students were the degree black belt, leaving the foundation laid for the later founded the National School of Karate-Do in Cuba (ENKC) member of the Dynamo Sports Society Capitán San Luis, the main instructor since its foundation was Raúl Rizo second dan.







Hoshu Ikeda Ikeda

The teacher returned to Cuba two years later with his assistant Akiro Ito and this time gave second-grade karateka are several Cubans, Raúl Rizo them in 1972 traveled to Japan to acquire greater knowledge of that teacher's school, located in Tokyo, where, in the course of a year he reached the rank of fourth dan Joshin-Mon style. The teacher Rizo returned to Cuba in 1976 with the rank of fifth dan and master class teacher, then get the sixth dan.


Daito Ryu Aiki Bujutsu

Among the Japanese immigrants who came to Cuba in the third, fourth and fifth decades of the twentieth century there were some who taught various forms of jujutsu in strict secret, relatives or close friends. These may Tomeo Fujita cited a descendant of the family of the Aizu clan and connoisseur of the secrets of traditional medicine who, as manifested Yoshinori Ichikawa Sensei, who served as Dai Soke of Daito Ryu Aiki Bujutsu style until 2009, appeared in Cuba in 1949, when all his friends and colleagues thought they had been killed. The

Budoka, which for security reasons he kept his true identity, and hid under the name of Fujita Tomeo, it seems that eight years ago and lived in Cuba, where two Japanese citizens were registered by the name Fujita, a of them named Takami and resident in the colony Horquita in Cienfuegos, while the other is named Diosque and had Baraguá home in central Ciego de Avila. The most likely has proved to be a Japanese immigrant recorded in Havana in 1941 with the name and address Tsunejo Furuta street corner Bishop Villegas, on the heights of the store, "The Rising Sun, owned by J. Japanese society Ohira and Co., where several citizens of that nationality. Subsequently, it could well become a Chinese citizen as modest registration Chung Wah Casino, arrived in Cuba in the year 1949 with the name of Coc Yen, who around 1960 changed to Chi and Hung Sui was devoted to work in a diner he owned in the neighborhood China, located in Ray 109, between Ditch and Dragons where he excelled at the practice of traditional medicine, an activity which also highlighted in his native Fujita teacher, for his great knowledge and experience, as we have ever known. The inn was publicly announced as being owned by Alfonso (or Alonso) Yon & Co. from 1948 to 1967.

13 March 1968 Fidel Castro announced in a public its decision to eliminate all manifestations of private trade, and the next day began a process during which 2,878 premises were expropriated in central Havana, where the greatest area number of owners Chinese. Shortly thereafter, the owner of the inn, Ray 109, also affected by the state measure, left Cuba for Macao, a former Portuguese enclave on China's territory. And coincidentally, Tomeo Fujita, who also had to suffer the effects of government expropriation, left the island at the same time

Among the styles that were taught at that time was known today including Daito Ryu, who taught as Fujita Tomeo judo they were scarce and carefully chosen Chinese students and Cubans, among whom were Welcome Del Cueto and his minor nephew William Murphy Del Cueto. Several years later, Japanese officials such as Dr. Hideo Hanmura and Mr. Taro Nishiyama, members of the Dai Nippon Daito Ryu Aiki Bujutsu Rengo Kai, instructed another generation of students, among whom was a small number of Cubans. When the doctor arrived in Cuba Hanmura at the end of the decade of the 60s or early 70s, and Fujita had left the country, but found the eldest son who was still living in Havana and helped him establish contact with those who had been students of his father









Murphy Del Cueto Guillermo


Among
Sensei Hanmura students said William Murphy Del Cueto, who guided the first steps in this art under the guidance of this teacher who by 1973 was appointed assistant instructor even though he was a teenager. The young instructor William Murphy Del Cueto, Menko today Kaiden-Hanshi of the Dai Nippon Daito Ryu Aiki Bujutsu-Saigo has Rengo Kai, a very high level, is the first Cuban and foreign citizen to hold that rank in the Japanese organization, which is inspiring the Cuban branch of Daito Ryu Aiki Bujutsu Ryu Saigo Rengokai Ko has whose genealogy begins with the Emperor Seiwa (850-880), as a descendant of Yoshinori Ichikawa (Dai Soke retired) and Dr. Hideo Hanmura (Soke Dai) . First Murphy taught master the art of Daito Ryu Aiki Bujutsu Máximo Rodríguez Fernández Roy and then students in Canada where he resides since 1983.












Max Roy Fernández Rodríguez


Following in the footsteps of his teacher Hanshi Murphy Del Cueto, 13 December 1993 Max Roy began Fernández Rodríguez provide the first basic technical aspects at the level known as Oku iri (entering the secrets of style.) His dojo, located in the former West Indian Steel, Municipality Cotorro A few years later moved to San Francisco de Paula, was called then "Fujiyama Dojo Bunko" to remember and praise the name of Murphy's namesake dojo

Cueto Sensei, and to express that it was a branch from his teacher . Then there were other names, first the "Bushido Dojo" (The Way of the Warrior), and "Bushi No Jutsu Dojo Shin-Zo" (The Art of the Heart of the Warrior), later, to culminate denominating "Bushin Dojo" ( The place of the spiritual path of the warrior). Being well established, perhaps one of the few dojos, which teaches traditional martial arts in Cuba.

On September 10, 1995 was officially confirmed the appointment of Max Roy Fernández Rodríguez official instructor of Daito Ryu Aiki Bujutsu (Ku has Saigo Ryu) Shoden Mokuroku level, a condition suggested by the Sensei Hanshi Murphy Del Cueto, and was authorized as a starter and regional representative of the Cuban group, the Rengokai for the Republic of Cuba, at the request of Hideo Hanmura Shihan (Fukushido Hombu-Cho So Hombu Dojo)

At a meeting held on 7 February 1996 Sports City of Havana with the participation of managers and members of the Cuban Federation of Karate and Martial Arts Associations (FCKAMA), chaired by Ramiro Chirino Smith recognized the official practice of the art of Daito Ryu Aiki Bujutsu in Cuba, and Máximo Rodríguez Fernández Roy was elected as president (Rijicho) of the section of Daito Ryu Aiki Jujutsu-Ku has Saigo Ryu, then affiliated to the Association Cubana de Aikido. Recognized shortly after independently, as the Cuban Association of Daito Ryu Aiki Bujutsu. Maximum

Master Roy Fernandez has dabbled in various forms of Japanese martial arts which has achieved high grades such as:

-Fifth Dan (Go mokuroku) with the rank of Renshi ("Noble Warrior") of Daito Ryu - Aiki Bujutsu Ryu Saigo has Ko-Rengo
Kai-fourth Dan black belt in Shorin Ryu Karate Jyoshin Mon-Sun
-fourth Dan black belt in Shito Ryu Karate-Do (Shito Kai)
-sixth Dan black belt (grade Land) with the rank of Renshi (Karate-Do )
-first Dan black belt (Judansha) Traditional Judo (Kosen-Judo)

3 to November 13, 2009, Asia House of Havana's historical center, located in Merchants Street between Obispo and Obra Pia , developed a conference to mark the 80th anniversary of the reestablishment of diplomatic relations between Cuba and Japan and the Japanese Culture Day, which included lectures on art and culture Japan's nation, art exhibitions and photography, 'presentations and book sales, craft demonstrations and martial arts and traditional tea ceremony, among other proposals.

Day 4 of the month was reserved for the beginning martial arts program with a lecture by Max Fernandez Sensei Roy, consisting of a brief history of Daito Ryu Aiki Jujutsu in Cuba, during which were shown samples of weapons and martial art originals and reproductions in wood and metal made by two prominent Cuban craftsmen. One is the dealer Wood Cipriano Luis Alvarez Martínez, a native of the Zapata Swamp, who has been awarded many times by the quality of their works, and works with the Association

presiding boken Max Roy manufacturing and other parts needed for the practice of this martial art. The other, a young resident of Camaguey Yilver Manzanillo Reyes López-Chávez, metal craftsman specialized in the manufacture of swords, and Japanese weapons, who is also an active practitioner of Japanese martial arts, which allows him to develop his artistic work looking most perfect and original approach to the Japanese.

Following the conference The documentary was shown on the Academy "Bushi" Dojo ", directed by Max Master Renshi Roy Rodríguez-Fernández, LIFE IS THE DOJO of Modesto Garlobo filmmakers and Dexter José Reyes, the academy is located in San Francisco de Paula , 15 km from the capital. Later, in the wooden street in front of the City Museum in the heart of the historic center, there was a demonstration of various techniques of combat between runs is appreciated Iai Jutsu Komei Yuko executed by Cesar Towie Sensei and guests two of his disciples, also for the first time able to appreciate our country's public executions Koyama Tenmon Ryu Jujutsu, by Enrique Pérez Aguila, Sempai and Orlando Bosquet, and then performances were the ancient art of Daito Ryu Aiki Bujutsu, with arms and hands free, by the master Max Roy Fernandez and his disciples, which included children, adolescents, and adults, with the rank of instructors of both sexes.

By: Rafael Fernández Moya
, Cultural Relations Specialist Habaguanex SA Tourism Company, attached to the Office of the Historian of Havana City.

Contributed by:
Cuban Association of Daito Ryu Aiki Bujutsu

Havana, December 2009.